Viola player Kim Kashkashian also joined … Rating criteria, scale(s) and detail, how one should / should not read my ratings, their "value", pitfalls, shortcomings & limitations. Zukerman follows the orchestra dynamics. The vibrato is ubiquitous, but luckily more moderate in amplitude, and not nervous. We don’t know for what occasion, and for whom Mozart wrote these concertos. Zukerman plays both the violin and the viola, while also pursuing careers as teacher and conductor. That’s clearly a reverberation from the presence of the Osmans in central Europe, or rather the victory over the Osmans by Prince Eugene of Savoy in 1697: That “Turkish” section features three 8-bar sections with repeat, followed by a longer segment without repeat. But overall, it’s not a bad recording, with lively playing, assuming one can cope with the vibrato. Bài hát violin concerto no. Violin Concerto No. The dating appears somewhat unclear. But again, the articulation tends to be (too) broad, the tempo maybe a bit too laid back, the tone of the solo violin sometimes a bit too solid rather than light and elegant. As mentioned above, Mozart’s Symphony in C, K.551 was featured in a concert at the Tonhalle in Zurich, on 2015-03-28, with Sir Roger Norrington and the Zurich Chamber Orchestra. The articulation is somewhat lighter, the tempo more fluid, the vibrato more controlled. ), one ends up with even more vibrato. 5 In A, 2nd Movement chất lượng cao 320 kbps lossless miễn phí. 4 & 5 "Turkish" by Gyorgy Pauk, Jorg Faerber & Wurttemberg Chamber Orchestra on Apple Music. One example: the staccati around bar 80 are clearly portato. There is less vibrato (OK, still too much for me). 5 in A major, K. 219, often referred to by the nickname The Turkish , was written by Wolfgang Amadeus Mozart in 1775, premiering during the Christmas season that year in Salzburg. One problem with strong, ubiquitous vibrato: in slow movements, when the score asks for more expression (espressivo, etc. As this is in German, I have written up a separate, more extended review in the posting “Norrington & Arabella Steinbacher in Zurich, 2015-03-28“. In both cases, the solo (understandably) is very much central to the recording. 31," of Henri Vieuxtemps is explained by Hahn as personal: she learned both works early in her education. There is also no information about his instrument. Yehudi Menuhin (1916 – 1999) — a former violin child prodigy himself — is directing the Wiener Kammerorchester (Vienna Chamber Orchestra). 4 in D minor, Op. I like his first, short one, but I have some reservations about the big cadenza, as it contains some rather strange (non-classical) melodic and harmonic moves. Enter your email address to subscribe to this blog and receive notifications of new posts by email. 128 bars, no repeatsThe slow movement is in 2/4 time, i.e., in two beats per bar. Blog post #561 — #rolfsmblog • Yet, when comparing this recording to Pinchas Zukerman’s above, one can feel that the recent evolution in HIP playing has had an influence on this performance as well. 5 in A Major, K. 219 (Solo Part with Reduction) by Wolfgang Amadeus Mozart Sheet music $28.21 Only 1 left in stock - order soon. Allegro Aperto; Adagio; Rondo: tempo di menuetto; In the course of writing only five violin concertos, Mozart arrived at this perfection. This item: Mozart: Violin Concerto No. So, I assume he was not influenced by Menuhin in his playing. Repin plays all of Joseph Joachim’s excellent cadenzas, carefully and as written. Modulations from "Les espaces acoustiques"; Elliott #Carter: Variations for Orchestra Joachim did not write a cadenza for bar 45. The solo voice is labeled Violino principale and often plays colla parte with the first violin. Each of Wolfgang Amadeus Mozart's successive violin concertos is longer and more epic … 5, K. 219. en/fr/de. For me this goes to the point where it is close to unbearable. That’s a movement full of surprises. Price: $16.98 FREE Shipping on your first order. Mozart: Violin Concerto No.2 in D, K.211; Violin Concerto No.3 in G, K.216; Violin Concerto No.5 in A, K.219, Vadim Repin, Yehudi Menuhin / Wiener Kammerorchester, Erato / Elatus, iTunes download (256 Kbps, stereo); © 1998Booklet: none with the downloaded files. This posting is about the Violin Concerto No.5 in A, K.219, by Wolfgang Amadeus Mozart (1756 – 1791), of which I currently have two recordings: Pinchas Zukerman, Saint Paul Chamber Orchestra (1982) Vadim Repin, Yehudi Menuhin / Wiener Kammerorchester (2005) How I Got to Know Mozart’s Violin Concertos Violinist Gidon Kremer joined Nikolaus Harnoncourt and the Vienna Philharmonic Orchestra for a series of recording sessions beginning in October 1983, in Vienna. I assume that for the first two movements he is playing his own cadenzas. The tone in the solo part is nicer, and Joachim’s cadenza again is an excellent fit. 4 in D Major, K. 218: II. But to me, Repin’s solution (or rather, Joachim’s) appears valid, convincing as well. With today’s tendency to add rather than omit ornaments, this may sound unusual. In my LP collection (somewhere in the basement, unplayed for at least 30 years), I have the recordings with, In addition, I have several LPs with individual Mozart concertos, the concerto in A K.219 is present with, These are all recordings with their definitive merits, but I doubt that from today’s (HIP) perspective it makes sense to have that many non-HIP versions, let alone on top of the two listed above, that I already have on CD now. Duration: 12’07”; 1/8 = 56Better tempo (really in 2/4 time, but still Adagio, i.e., calm). If only there was a little less vibrato …. Duration: 12’07”; 1/8 = 48Zukerman’s tone sounds rather sharp, maybe a little aggressive at times even. However, there is a popular set of cadenzas by Joseph Joachim (1831 – 1907) which many artists choose to play. However, if I were to add more recordings to my CD collection, it would be in the area of historically informed performances (HIP), rather than reviving any of these. 5 in A major, K. 219, was written by Wolfgang Amadeus Mozart in 1775, premiering during the holiday season that year in Salzburg. HALL OF FAMETOP 1000 REVIEWER. We are sorry that this post was not useful for you! For the general impression see above. 4 K 218 (the CD's booklet nicely reproduces the cover of that and of the original Beethoven LP). 1 K. 207, D Major No. Stream songs including "Violin Concerto No. The tempo is moderate, the articulation is rather broad, both in the orchestra as well as in the solo part. The cellos and basses must use the bow upside down, i.e., treating the strings with the wooden part of the bow, marking a Turkish marching band. The idea must have been that the concert master is playing the solo. I doubt that I would have purchased it otherwise. This was at the end of Menuhin’s career, and Repin was 27: a fully formed artist personality. 5/Vieuxtemps: Violin Concerto No. And one can feel this in his playing. The Violin Concerto No.5 in A, K.219 has three movements: 39 + 6 +181 bars, no repeatsThe first movement, Allegro aperto, begins with the first violins introducing the main theme. This posting is about the Violin Concerto No.5 in A, K.219, by Wolfgang Amadeus Mozart (1756 – 1791), of which I currently have two recordings: Both these recordings are acquisitions on CD, or digital downloads. Nghe bài hát Violin Concerto No. 5 in A major, K219 'Turkish' This page lists all recordings of Violin Concerto No. Duration: 9’58”; 1/4 = 128 — 1/8 = 48The recording begins with a little hiccup: there is a little cutting error in bar 5 (some 0.2 seconds extra). For me, there is definitely too much vibrato, both because it is everywhere, and because it is too strong in amplitude. Repin’s tone and technique are flawless, superb. 2017 Preview Editors’ Notes Dutch violinist Noa Wildschut makes her recorded debut with exactly the same violin concerto, Mozart’s Fifth, that launched her mentor Anne-Sophie Mutter’s career. How I Got to Know Mozart’s Violin Concertos, Norrington & Arabella Steinbacher in Zurich, 2015-03-28, Norrington&Steinbacher, Zurich 2015-03-28 | Rolf's Music Blog, Concert: Nicolas Hodges, Ilan Volkov / Basel Sinfonietta — Basel, 2021-01-24, Beethoven: String Quartets, Comparison Summary, Baldur Brönnimann / Basel Sinfonietta — Münchenstein, 2020-11-22, Orpheum Foundation: David Nebel, Dorukhan Doruk, Oliver Schnyder — Baden, 2020-11-07, Els Biesemans, Capriccio Barockorchester — Kirche St.Peter, Zurich, 2020-10-18. According to Wikipedia, he was playing the Stradivarius Ruby from 1708 at the time of this recording. Stream songs including "Violin Concerto No. Blog post #563 — #rolfsmblog • About | Impressum, Legal | Site Policy | Testimonials | Acknowledgements | Blog TimelineTypography, Conventions | WordPress Setup | Resources, Tools | Pictures, Methods, How I rate concerts and media / recordings. 4 & 5 by Erica Morini, Frederic Waldman & Musica Aeterna on Apple Music. Duration: 9’24”; 1/4 = 110 — 1/4 = 136Here now, Zukerman plays all 4 of Joseph Joachim’s cadenzas (with very minor adaptations in the short cadenzas 2 and 4), which is definitely a good move. Thanks for visiting; your feedback (comments, ratings) is most welcome! Overall, the “Turkish segment”, counting the repeats and the cadenza, has about the same weight as the actual Menuetto. Andante cantabile" and more. But of course, in a CD recording, listeners expect to have a “closer view” on the soloist than in a concert hall. 3 recorded at the same December, 1984 session as #2 above, along with Violin Concerto No. As already in the first movement, the cadenza (presumably Zukerman’s own) is no more than a moderate fit to the movement. Ships from and sold by Mega-Movie-Deals. 2014 Preview SONG TIME ... Violin Concerto No. Repin’s tone is big, well-balanced, the articulation lighter, the staccato less broadened than Zukerman’s. 4 recorded in January 1987, and the Duo for Violin and Viola in G Major, K 423, from a May 1984 recording session with only Kremer and Kashkashian. Overall Duration: 31’29”Rating (see above for details): 2.7 (3 / 2 / 3) — Certainly not a CD that I would choose to buy, but OK as a traditional recording. Especially in his Violin Concerto No. 5 in A Major, K. 219, "Turkish": I. Allegro aperto - Adagio - Allegro aperto By Wolfgang Amadeus MozartArabella Steinbacher, Lucerne Festival Strings, Daniel Dodds 7 5 is not likely to satisfy listeners more accustomed to modern performance practices and stylistic approaches to Mozart.The violinist's playing is quite heavy, the vibrato is thick and wide, and the interpretation is rather romanticized. Showing 1 - … The rather odd pairing of Mozart's "Violin Concerto No. In other words: one does not get the impression of the concertmaster (primus inter pares) playing the solo part. Duration: 9’58”; 1/4 = 124 — 1/8 = 46A traditional recording in all aspects. The “Neue Mozart Ausgabe” indicates that the fermata in bar 45 is to be “ornamented”, i.e., filled with a short cadenza. The movement suddenly switches from A major to C minor, from a pleasant Menuet in 3/4 to Allegro in 2/4 (annotations and wind instrument voices not shown in the score samples): The solo marks a rather wild “gipsy dance”, then — yet another surprise — after 33 bars, the tone changes again, into a veritable Janitscharenmusik (Janissary music). 5 is the most refined and accomplished of Mozart's early works for this instrument. Mozart: Violin Concerto No.3 in G, K.216; Violin Concerto No.5 in A, K.219, Pinchas Zukerman / Saint Paul Chamber Orchestra, CBS Records MYK 42612 (CD, stereo); ℗ 1982 / © 1987Booklet: 7 pp. All violin concertos are joyful compositions. Listen to Mozart: Violin Concertos Nos. 5 in A major, K. 219, with the little-known Violin Concerto No. Rondeau: Tempo di Menuetto: 131 bars, no repeats — Allegro: 33 + 8 + 8 + 8 + 73 bars, parts 2 – 4 repeated — Tempo di Menuetto: 88 bars, no repeatsThe last movement is a Rondo in Tempo di Menuetto. This precludes an extremely slow tempo: The score asks for a solo cadenza in bar 125. Andante" and more. Also, the flow sometimes appears to come to a halt, is merely dragging along. But Repin comes out of the traditional Russian violin school, a pupil of Zakhar Bron (*1947), the famous teacher. I really should watch out for a HIP (historically informed playing) version! Details & FREE Returns Return this item for free. 5 in A, K. 219, Mozart demonstrates great imagination in his experimentation with fluctuating tempi and diverse meters within single movements. - Mozart: Violin Concertos Nos. It follows the typical fast-slow-fast musical structure. Read honest and unbiased product reviews from our users. Browse: Mozart - Violin Concerto No. Mozart Violin Concerto No 5, Turkish. Mozart: Violin Concerto No. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. The theme is accompanied by tremolo in the second violin and the viola: The solo violin is introduced with a sudden change to Adagio in bar 40: The Adagio section is just 6 bars, ending in a fermata. Recording Engineer: Rainer HoepfnerStudio Personnel, Mixer: Stephan FlockComposer: Wolfgang Amadeus MozartAuto-generated by YouTube. Zukerman plays both the small cadenza (bar 45), as well as (of course) the big one. 5.0 out of 5 stars Mozart's Sinfonia Concertante, and fifth Violin Concerto, performed by Gidon Kremer. 5 in A Major, K. 219 "Turkish" 4 in D Major, K. 218: I. Allegro moderato", "Violin Concerto No. Mozart violin concertos are among my earliest musical encounters: in my parent’s small LP collection (which I still have somewhere) I seem to remember that there was a recording with. 2015-02-24 — Original posting2016-08-03 — Brushed up for better readability. 5 in A major, K. 219," with the little-known "Violin Concerto No. This item: Mozart: Violin Concerto No. Overall Duration: 30’18”Rating (see above for details): 4.0 (4 / 4 / 4) — An excellent performance! It starts with the soloist introducing the Rondo theme:The soloist has the opportunity for two short cadenzas (bars 58 and 109), each leading back into the Rondo theme. Zukerman recorded this concerto in 1982. But the major problem I have with this interpretation is that the tempo is definitely too slow. It Reviewed in the United States on February 16, 2014. View credits, reviews, tracks and shop for the 1966 Vinyl release of Violin Concerto No.5 In A, K.219 / Violin Concerto No.6 In D, K.271a on Discogs. Wolfgang Amadeus Mozart (1756 – 1791) wrote this concerto between 1775 and 1780. But that is not overly conspicuous. I have inherited this CD from my parents. The purpose of the cadenza is not to make a smooth transition to the Allegro aperto: that part should start as a little surprise. Mozart did not write down cadenzas for this concerto. Blog post #560 — #rolfsmblog • Vadim Repin (*1971) is one of the prominent violinists of today’s “middle generation”. It feels as if the movement was played in 4/8 in lieu of 2/4. The new pairing on this "The Originals" release is Mozart's Turkish Concerto (VC No. #rolfsmblog • Tìm loi bai hat violin concerto no. In bar 131, the first section ends with a pause / fermata. https://www.rolf-musicblog.net/baldur-bronnimann-basel-sinfonietta-munchenstein-2020-11-22/, Anniversary Concert, #Orpheum Foundation: David #Nebel, Dorukhan #Doruk, @OliverSchnyder — Baden, 2020-11-07 — Beethoven: Violin Sonata op.24; Cello Sonata op.102/2; Piano Trio B♭ major, op.11 For this recording, the booklet does not include details about the cadenzas played. Bb Major No. It ends in a fermata in bar 262, where a cadenza leads back to the Tempo di Menuetto / Rondeau: As in the initial Menuetto segment, the solo has the opportunity to play another short cadenza when the ritornello returns in bar 320. I assume he is playing the “Dushkin” Guarnerius del Gesù violin of 1742. https://www.rolf-musicblog.net/orpheum-foundation-nebel-doruk-schnyder-baden-2020-11-07/, Concert, ★★★★, Trio Amani (Marina Yakovleva, Lev Sivkov, Kateryna Tereshchenko) @ Zurich, 2020-10-24 — Beethoven Piano Trio #1 in E♭, op.1/1; Rachmaninoff Trio élégiaque #1 in G minor; Arensky Piano Trio #1, op.32 He was often appearing with artists such as Itzhak Perlman and Daniel Barenboim. 3 & 4 - Violin Concerto No. Paavo JärviMozart: Violin Concerto No.5 In A, K.219 / Vieuxtemps: Violin Concerto No.4 In D Minor, Op.31℗ 2015 Hilary Hahn, under exclusive license to Deutsche Grammophon GmbH, BerlinReleased on: 2014-03-13Producer: Sid McLauchlanProducer, Co- Producer: Hilary HahnStudio Personnel, Recording Engineer: Wolf-Dieter KarwatkyStudio Personnel, Asst. 5/Vieuxtemps: Violin Concerto No. Mozart's five violin concertos are as follows: 1. Wolfgang Amadeus Mozart (German: , full baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. https://www.rolf-musicblog.net/trio-amani-zurich-2020-10-24/, Very sad and disappointed ☹️ @tonhalle ⁦@HarrisonParrott⁩ -ORCHESTER ZÜRICH CANCELS ALL CONCERTS UNTIL FURTHER NOTICE | PAAVO JÄRVI https://paavojarvi.com/tonhalle-orchester-zurich-cancels-all-concerts-until-further-notice/. The Violin Concerto No. The majority of the violinists must be playing this: if I think about this movement and its cadenza, this is the one which comes to mind. Still, back in my LP days, in my own view, Pinchas Zukerman (*1948) enjoyed a good reputation, both as a soloist, as well as for his cooperation in chamber music ensembles. Zukerman’s playing in general (apart from the vibrato) is fine, maybe sometimes rather robust. 4 K. 218, and A Major No. The Mozart Violin Concerto No. 31, of Henri Vieuxtemps is explained by Hahn as personal: she learned both works early in her education. 4.8 out of 5 stars 70 ratings. Sold by Ficks Music and ships from Amazon Fulfillment. 5 in a, 2nd movement - Mozart ngay trên Nhaccuatui. The Violin Concerto No. Find helpful customer reviews and review ratings for Mozart: Violin Concerto No. Violin Concerto No.5 in A major, K.219 Violin Concerto in E-flat major, K.268/Anh.C 14.04 "No.6" (doubtful) Violin Concerto in D major, K.271a/K.271i "No.7" (doubtful) Free returns are available for the shipping address you chose. Is this just because he is also conducting?? 4 in D Major, K. 218: II. 2, K. 211, G Major No. One additional, minor point: in bars 133/134 the solo has resting, full notes, while the orchestra has f – p – f – p in both bars. The last one in particular is not just joyful, but at least playful as well, even joking, if not provocative. Listen to Morini Plays Mozart: Violin Concertos Nos. 5 in a, 2nd movement do ca sĩ Mozart thuộc thể loại Khong Loi. Duration: 9’24”; 1/4 = 118 — 1/4 = 144A tad faster than Zukerman, lighter, slightly better, overall. 4 by Hilary Hahn (2015-05-03) by Hilary Hahn Audio CD $25.91 Only 1 left in stock - order soon. 4 in D minor, Op. 5 K 219), played and conducted by Schneiderhan, a recording made in 1967, and originally paired with VC No. 4 Hilary Hahn (Artist) Format: Audio CD. If playback doesn't begin shortly, try restarting your device. 5 in A Major, K. 219 "Turkish" - 1. 3, K. 216, D major No. The violin concertos K. 211, 216, 218 and 219 were all composed within a few months, between June and December 1775, while Mozart was in the employ of the Archbishop of Salzburg. https://www.rolf-musicblog.net/ratings-concerts-vs-media-reviews/, Concert review, ★★★★½, @baldurbronniman / @BSsinfonietta @ Münchenstein, 2020-11-22 — Georg Friedrich #Haas: Joshua Tree (2020); Gérard #Grisey: IV. So, Repin leaves the fermata as is. Repin plays Joseph Joachim’s big, excellent cadenza. I assume that these are his own. 5 in A major, K219 'Turkish' by Wolfgang Amadeus Mozart (1756-91). The rather odd pairing of Mozart's Violin Concerto No. Menuhin comes from an even older school, so one cannot expect a historically informed performance. Allegro aperto. It begins with a repeat of the introduction, this time as accompaniment to the solo part: The Adagio part does not return, but in bar 219, the soloist has the opportunity for a big cadenza. The Violin Concerto No. See my concert review for Bachtrack.com. 5 in A Major, K. 219, "Turkish" Violin Concerto No. Also, the vibrato is omnipresent, particularly in the solo part, especially in the cadenzas. A taut, springy opening precedes the violin, which steals in with an unexpectedly slow entrance, the prelude to a beautiful conversation between soloist and orchestra. Mozart: Violin Concerto No. Both interpretations below are non-HIP, i.e., traditional. At the same time it retains popular musical elements. 5/Vieuxtemps: Violin Concerto No. 4 in D Major, K. 218: I. Allegro", "Violin Concerto No. 4 at Amazon.com. And again, he plays with lots of vibrato. ' this page lists all recordings of Violin Concerto No particularly in the solo part, Especially in his with... 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Stephan FlockComposer: Wolfgang Amadeus Mozart ( 1756-91 ) Vienna Philharmonic Orchestra for a HIP ( historically informed performance as... Less broadened than zukerman ’ s tendency to add rather than omit ornaments, this sound. Dragging along Violin and the Vienna Philharmonic Orchestra for a solo cadenza bar... You chose per bar works early in her education his experimentation with fluctuating tempi diverse! Of Menuhin ’ s career, and for whom Mozart wrote these....